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Titian: His Life, by Sheila Hale
Ebook-Download Titian: His Life, by Sheila Hale
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Pressestimmen
“Sheila Hale’s TITIAN takes on the heroic task of reconstructing this largely undocumented life. . . . Meticulous and fluid. . . . Hale’s biography captures the energy and colors of everyday Venetian life as brilliantly as a Canaletto painting.†(New York Times Book Review)“[A] magnificent account of the incomparable Venetian artist Titian and the world he lived in...Hale writes an elegant, even worldly prose...delicious as well as authoritative...For me, it’s the biography of the year.†(Michael Dirda, Washington Post)“A magnificent new biography…The elegance and energy of her narrative, together with a born biographer’s eye for detail, make…[this] eminently readable and profoundly authentic…†(Jonathan Keates, Literary Review)“Impressive…entertaining…a feat of research…crammed with new or expanded or rethought information about this stubbornly mysterious giant†(Waldemar Januszczak, Sunday Times (London))“It all makes for compelling reading…enriched by vivid anecdotes and gossipy snippets†(Fisun Güner, Independent)“Titian stands out among his peers as Shakespeare does among writers, and Sheila Hale’s authoritative and readable book is more than worthy of her subject.†(The Economist)“This definitive biography of the great Renaissance painter in over a century is a landmark achievement.†(Publishers Weekly, "Top 10 in Art and Architecture")“An excellent biography…Hale’s thorough research, judicious examination of evidence, lucid narrative style, and perceptive and illuminating interpretations of the major works are worthy of her great subject.†(Booklist (starred review))“In this monumental book, Hale sets forth what may become the definitive biography of Tiziano Vecellio (c.1480-1576), better known as Titian. . . . This impressive, ambitious, scholarly, interdisciplinary . . . book straddles academic disciplines, including art history, history, and literature. Strongly recommended.†(Library Journal (starred review))“Hale’s approach is to try to understand the times in which he lived, and she succeeds brilliantly in capturing the pulse of 16th-century Venice, where the artist spent his working life. . . . Highly readable.†(Wall Street Journal)
Buchrückseite
Born in the mountains above Venice in the late fifteenth century, Tiziano Vecellio—or Titian—was the greatest painter of the Venetian High Renaissance. A poetic visionary and a technical master of oils, he painted everything, from frescoes and grand altarpieces to mythological stories and portraits—works described by his contemporaries as "mirrors of nature."Sheila Hale's rich biography is the first since 1877 to examine all contemporary accounts of Titian's life and work as well as recent art historical scholarship, some of it previously unpublished. Her book charts the extraordinary transformation of Titian's style: from the radiant, minutely realized masterpieces of his youth, to the more freely painted work of his middle years, to the dark, tragic, sometimes terrifying visions of his old age. Drawing on the latest scientific examinations of his paintings, Hale seeks to explain the evolution of his methods and his art. In doing so, she also gives many different voices—from Titian's lifetime to today—free reign to explore, praise, and sometimes doubt his genius.When Titian died in 1576, in his late eighties, he had spent the whole of his working life in Venice—the most celebrated city in Europe—traveling as little as possible despite the clamor for his presence at the great courts of the continent. He had witnessed wars, Ottoman invasions, and the rising Protestant threat to the Catholic Church. He had become the favored painter of both Charles V—the most powerful man in the world—and his son, Philip II of Spain, who became Titian's most important patron.Sheila Hale's masterly biography presents Titian through the lens of the turbulent times in which he lived and explores how this innovative sixteenth-century master conveyed in his paintings a kind of truth that few other artists have been able to communicate, which has fascinated Titian's admirers and followers ever since.
Alle Produktbeschreibungen
Produktinformation
Gebundene Ausgabe: 864 Seiten
Verlag: Harper (20. November 2012)
Sprache: Englisch
ISBN-10: 006059876X
ISBN-13: 978-0060598761
Größe und/oder Gewicht:
23,6 x 16,3 x 5,2 cm
Durchschnittliche Kundenbewertung:
5.0 von 5 Sternen
2 Kundenrezensionen
Amazon Bestseller-Rang:
Nr. 1.575.839 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
Quite a read, aber genau so sollten Biographien sein: Unterhaltsam, alles in einen größeren Rahmen setzen, ausführlich sein ohne zu sehr abzudriften, nicht sich ständig selbst wiederholen und auch die bisherige Literatur und Biographien hinterfragen, schließlich ist da über die Jahrhunderte hinweg auch einiges an Selbstläufern unterwegs. Ist man durch, weiß man nicht nur über Titian, sondern auch über Italien, Venedig, die Renaissance und deren Künstler bestens Bescheid.Die beste Titian–Biographie und wohl auch die beste Biographie einer Person überhaupt, die ich bislang in den Händen halten durfte. Thank you!
Die Autorin beschreibt nicht nur das Leben Tizians, sondern zieht ein ganzes Panorama der italienischen Geschichte und Kunstgeschichte des späten 15. und des 16. Jahrhunderts auf - sehr lesbar und sehr lesenswert.
Sheila Hale is an expert on Venice and the Renaissance. Her expertise is obvious in Titian: His Life, a biography of Titian and the 15th Century Venice where he lived. And what a life it was - long, productive, and during very interesting times. Titian was born shortly before Columbus discovered the New World and lived during the Ottoman invasions of Europe, the Protestant challenge to the Church, and other wars and political intrigues.The book is very interesting and well written. In a book of nearly 800 pages, it is perhaps inevitable that some of the information will be of more interest to the specialist than to the casual student of the Renaissance. Nevertheless, one gains a real sense for Titian and for life in Venice during the 1500's.Unfortunately there are two defects in the book's design. The index is incomplete and difficult to use. The color plates of Titian's paintings are grouped together rather than being reproduced in the text where the painting is discussed. Other paintings are mentioned but never reproduced so it is difficult to see how Titian may have influenced, or been influenced by, other artists.
For anyone interested in History, and the Arts, this is the book to read. The author has a refreshing way of presenting history . Many characters, from Emperors, Popes, Artists, the Citizens of Venice and others, are presented here with warts and all. Titian, the unbelievable creator of art is here reborn, and his interesting personal life shows, what a true genius can accomplish.. Venice, this jewel of a city, with its doges, painters, writers, and ordinary citizens, is beautifuly presented to our eyes. We also get An extra bonus, Because Europe, as it was then, is recreated, We live thriough those turbulent times through Sheila Hales's eyes. Titian, his world, his trials, tribulations and triumphs are a must read. That whole artistic world is here waiting for yoju. Go for it !.
This was tremendously fun to read. The evocation of 16th century Venice in all of its glory and horror was amazing. Ms Hale gives us an insider's view of Venetian culture, the complex and intertwined religion and politics of the era, and art in the 1500's. There are myriad fascinating verbal portraits and depictions of popes, kings and emperors, and many smaller figures: the mercenary turned pirate, the gang rape of Venice's leading courtesan, the plague that takes the lives of 25% of Venice's population, Titian's best friend who seems to have served as self-appointed chief gadfly for all of Europe. This is a time of great ferment with the Reformation and Counter-Reformation, the heights of the Hapsburg and Venetian empires, and some of the last echoes of the Crusades in the battles between Europe and the Ottoman empire. Titian's role as a painter to the highest levels of society meant that all of this plays into his life story. The pace of Ms Hale's narrative is often breathtaking.The role of Titian's art and the relationships he had (or didn't have) with his contemporaries Michelangelo and Leonardo and the distinctions between the Florentine and Venetian styles of painting are discussed. Many of Titian's painting are dissected and it is tragic to hear so often of their loss or destruction over the centuries since his death or even earlier. It's fascinating to hear what modern science has to say about their composition. An appendix listing where one can see remaining Titian's around the world may be of interest to travellers.While I'm no artist to judge the quality of the artistic interpretation, Ms Hale's discussion of the art seems appropriate for a general audience and resonates with my own reactions to the sadly few Titian's I've seen. My own introduction to Titian was at a 1983 exhibition in London (which gets mentioned briefly in the book). The book from that exhibition is authored in part by the author's husband(?). Ms Hale has been thinking about Venice and Venetian art for many, many years.So why only 4 stars? There are dozens of people whom one feels one knows after reading this book: Titian's friend Aretino, his sons, patrons great and small, but after 735 pages, I still don't feel I have much knowledge of Titian himself. Had this book been called 'The Times and Art of Titian' it would have been better. This is a real failing, but how much belongs to the author is unclear. Perhaps Titian is the exception to the expectation that artists must have vivid personalities. Still Hale really doesn't seem to make much effort to get close to the man and what drove him.There is one other small, but to me more annoying problem with the book. It includes about 20 color plates of Titians. However there is no cross-referencing between the text and the plates and the plates are not in the order they are referenced in the text. So it was mildly painful to check to see if a given painting was actually included in the plates. In my view the reproductions of portraits gives some real sense of the originals, but I'm less clear that that's true for any of the other kinds of paintings. That's not a criticism of the reproductions, just a statement of what's feasible.If you want to learn about Venice, Titian's art (or that of his contemporaries), politics or religion in 16th century Europe, this is an enthralling and rewarding book. If you want to gain insight into the character of Titian himself, you'll learn many facts, but the author leaves it to you to make any judgements.
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